Sunday, May 7, 2017

Smoothie Recipes

Smoothies are an amazing way to refuel your energy for dance. It's an awesome pre and post-dance snack and is definitely a much healthier alternative to chocolate and post-workout bars.
I will be showing you two smoothies, fruit based, and one "green-based".
Personally, I don't like adding protein powder to my smoothies, because I prefer to use chia seeds instead. Also, if you don't like one of the ingredients that I use, feel free to substitute it with something that you prefer(!).

DISCLAIMER
Please keep in mind that I am not a professional nutritionist. This is what I find works well for my body and it's something that I like. If you feel like this is not the right food for you, let us know in the comments and we will make more posts with different types of dance snacks :). 

full recipe makes 2 servings

Fruit smoothie:
What you'll need:
  • Blender + glass
  • Strawberries (1/2 cup or 125g)
  • Raspberries (1/2 cup or 125g)
  • Blueberries (1/2 cup or 125g)
  • Chia seeds (1-2 teaspoons)
    you can use wallnuts instead
  • The juice of 1 lemon or lime
  • Orange juice (1/2 cup or 125g/ml)
    OR: coconut water, regular water, (avoid milk)
  • Add protein powder if you think it's necessary
How to make it:
  1. Add all of your ingredients to your smoothie. (put your liquids in first, to make it easier for your blender)
  2. Blend and pour into a glass!
  3. [Feel free to add more water/juice]

full recipe makes 1.5 to 2 servings

Green-smoothie:
What you'll need:
  • Blender + glass
  • 1 handful of kale
  • 1 handful of spinach
  • 1 apple
  • 2 kiwis
  • Chia seeds (1-2 teaspoons)you can use walnuts instead
  • The juice of 1 lemon or lime
  • Water (1/2 cup or 125g/ml)
  • Add protein powder if you think it's necessary
How to make it:
  1. Add your liquid ingredients to your blender
  2. Cut your apple and kiwi and add them to blender as well
  3. Blend these until you're happy with the consistency
  4. Add kale, spinach and chia seeds
  5. Blend again and pour into a glass!
  6. [Feel free to add more water/juice]

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Sunday, April 30, 2017

How to catch up with choreography faster




If you're one of those dancers who has trouble remembering choreography fast then this post is absolutely beneficial for you. I once knew how it felt to be lost, or to not pick up a combination as fast as others. Depending on the style of dance (anything other than lyrical or ballet), I never could understand combinations at all BUT I found many solutions to this issue. So I promise that after reading this blog post you will benefit from it in some way, shape, or form.

The first thing I advise you to do is to do is find out what type of learner you are. You can be a visual learner, a kinesthetic learner or a autio learner, or maybe a combination. However this is not always necessary.
A Kinesthetic learner: Learns by being physical, with hands on activities and movement. if you feel like you are this type of learner try to do the choreography as much as you can.
A visual learner: Learns by just seeing what (the teacher) is doing. If you feel like you are this type of learner, try watching the choreographer while he/she teaches the combination carefully. It sometimes helps to move closer to your teacher so that you can see more details.
A audio learner: Learns by listening. If you feel like you are this type of learner then focus on listening to what your teacher is saying.
You can always look online to see that type of learner you are if you don't know. Or you can try all of them in class If you want to be more accurate!

REPEAT CHOREOGRAPH TO YOURSELF: Doing this has change my whole learning process. Try saying choreography to yourself as you go so that you can remember it better. Which will probably sound something like this. "and ring jump, to the floor, wait, toe-rise up, walk, prepare, illusion..." or even come up with clever and or funny phrases (That I can't think of right now lol!). Doing this has truly helped me!

Listen to what the teacher is saying to you: I once had a teacher from Broadway's round about theatre who said something along the lines of "Listen to all the key phrases your teacher tells you. When they say things such as 'hit, boom, tah tah tah, up, ka-boom, (etc)' keep that in your mind so that you remember the choreography better"


Study vocabulary: Just so you're not lost in class, make sure to study vocabulary for your stlyes of dance. It's faster and makes life easier. There are plenty of sources online if you're not into books! :)

Change your spot: If you're one of those dancers in class who is always wanting to be in the back and never wants to be in the front (Me! Haha) I suggest you to try being in the front for once, it's a whole nother world up there (LOL). In all seriousness though, if you're always in the back then sometimes you're not always going to catch on to combinations as fast.

Don't be hard on yourself: it's okay if you sometimes don't pick up choreography as fast as others. Especially if it's a style that you're not as familiar with. I suck at learning modern! But I pick up ballet because that's what I'm trained in. :) Sometimes it's not your fault, it'll take you a while to adjust to a new style of dance and that is alright. It's okay to make mistakes, don't put yourself down because then you are going to want to give up. Try your best to get to know how you learn, and as long as you show your perseverance then you're good to go.

Practice: Sometimes you figure these things out by just dancing over a period of time. The more you grow, the more you learn. That's just how it goes! So never doubt yourself because everything will come to you as long as you have the work ethic.

That was my last tip for today. I hoped you took away from this even if it was a little bit!
Let us know in the comments if you are going to try any of these tips.
Thanks for reading this post.

Have any more tips to add? Put them in the comments so that we all can try them out too!
We also love feedback! As you can see we just strongly encourage you to leave a comment.




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Ti auguro una buona giornata e stay blessed. ;)

Sunday, April 23, 2017

Storytime: I fell in a Masterclass???

[Debbie Allen]


About a year ago, my studio had organised a masterclass with a dancer from the Berlin dance company. (It's needless to say that we were all very excited about it).
Everything went fine during barre - we did the usual that you'd expect. And then we moved into centre for petit allegro, pirouettes, sautés, grand adagio and then the dreaded grand allegro...
We went in groups of 4, and he called my group to go first. If you don't know how a masterclass works, the teacher rarely demonstrates the combination full-out (or with music). Usually my friends and I are pretty good at grand allegro, but for some reason we all had 2 left feel XD.

We started of with the tombé pas de bourré, where the first dancer managed to trip over her own feet and it just went downhill from there. My best friend was next in line to trip, and didn't use her plié enough from her glissade to go into her grand jetté and fell as well... After that, we were meant to land and go into fourth position for a double pirouette, which I fell out of (pirouettes were never my strong point). At this point, there was only one dancer left who hadn't managed to embarrass herself yet. But that was soon going to change...  The rest of grand allegro went fine. No one fell the second time, and we managed to make ourselves look a little less clumsy.

30 minutes before the end of the class, the teacher decided to do some repertoire with us. He taught us the famous pas de quatre from swan lake. Everything was fine while we were learning the choreography. We didn't go too far over our pointe shoes, we were quick on our feet and looked clean. The teacher wanted us to stay in our groups of four from earlier. We decided that the girl that hadn't managed to fall yet would go in the front, to 'lead' the rest of us. And this is where it all went wrong... (it's kind of funny thinking about it know XD).  Somehow, non of us know how she did it, she managed to start 2 counts early. Now this doesn't sound terrible, but just wait and see... The my best friend was the second girl in the line, and wasn't as grounded as she should have been. As the first girl took off, she fell and her foot hit the back of my knee, which made me fall, which in turn brought down the last girl as well...
It was really funny, although we were all really embarrassed... Our studio director even came in and asked us if we had eaten anything before class and if we needed a break! It's safe to say that we made sure never to be the first group to go in a masterclass again. To this day, we try to be second or third. But quick tip: the first and last group always get the most attention from the teacher(!) - in case you want to be seen ;)



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Sunday, April 16, 2017

Oggetto: Lotta Contro




Desidero esprimere la mia gratitudine per la quanti stanno lottando Cancro dicendo qualche parola.
Chi sopravvive al cancro spesso è grato a chi l'ha curato. Ne hanno passate tante, e è dunque importante distribuire speranza. Devi dimostrarti umile verso persone con il cancro. Nella lotta in corso contro il cancro dobbiamo fare tutto il possibile per incoraggiarli a proseguire, e che la vita è un dono meraviglioso, ma incredibilmente effimero, e proprio per questo è importante andare sempre avanti e non perdere la speranza.
Dobbiamo fare tutto il possibile per diagnosticare, curare e assistere i malati oncologici. dobbiamo fare tutto il possibile per sostenere e incoraggiare persone con il cancro.


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Ti auguro una buona giornata e stay blessed. ;)

Sunday, April 9, 2017

Quoi/combien deverait un danseur manger?

[j'ai déja écrit le meme poste en Anglais si sa vous interesse]

"Les danseurs ne mangent pas" ou "Comment êtes-vous si maigre ??" Sont des questions que la plupart des danseurs entendent régulièrement. Et pour être tout à fait honnête, c'est la façon dont nous les danseurs ont construit notre réputation. Malheureusement beaucoup de danseurs (classiques) souffrent de troubles d'alimentation, et c'est quelque chose qui s'est transformé dans un stéréotype, a cause des regles strictes du monde de la danse.Combien une danseuse devrait-elle manger? C'est une question qui n'a pas une seule réponse. Il n'y a pas un plan de repas ou un régime qui conviendra à tous les danseurs. Mais quelque chose que tous les danseurs devraient savoir, c'est que vous devez manger pour être en mesure de faire de votre mieux. votre corps ne peut pas fonctionner correctement si vous ne mangez pas assez. Dans les mots de nombreux diététistes: «la nourriture est la vie».Cependant il ya une grande différence entre manger beaucoup, et manger beaucoup de la malbouffe. Comme danseurs, c'est notre responsabilité de prendre soin de notre corps - c'est notre instrument (!).Une alimentation saine et équilibrée est essentielle - et cela compte pour tout le monde: danseur ou pas. Pour les danseurs et les autres athlètes, la taille des portions est quelque chose qui n'est pas toujours facile à contrôler. Certains danseurs aiment compter leurs calories pour s'assurer qu'ils obtiennent assez d'énergie, et d'autres écoutent leurs corps. Les deux méthodes fonctionnent bien. Personnellement, je préfère écouter mon corps, et voir ce dont il a besoin, tout en veillant à ce que je reçois tous les nutriments dont j'ai besoin. Mon métabolisme est extrêmement rapide, donc j'ai naturellement besoin de manger beaucoup plus que les autres (et c'est le cas avec beaucoup de danseurs). Pour moi, compter les calories ne me serait pas bénéfique, car il ne considère pas nécessairement les calories que mon corps utilise sur ses propres (sans la danse ou le sport).          D'autre part, compter les calories est également une bonne option - en particulier pour les gens (comme moi) qui peuvent facilement manger trop (ceuz qui continuent a manger quand ils n'ont plus faim). Ma principale préoccupation quand il s'agit de compter vos calories, c'est le fait qu'il méconnaît le type de nourriture que vous mangez. Tout ce qu'il mesure, c'est la quantité d'énergie que vous obtenez de vos repas. Certaines personnes ne réalisent pas qu'ils ont encore besoin de manger sainement, et continuent a manger de la malbouffe sur une base régulière.
Je ne suis en aucun cas un diététiste qualifié, pour vous dire quoi et combien de manger, mais si vous pensez que vous êtes aux prises avec la taille des portions et le type de nourriture que vous mangez, parler à un professionnel peut vous aider. N'oubliez pas qu'il est important de manger suffisamment de nourriture, sans manger trop, ainsi que manger sainement - personne ne veut danser après avoir mangé une tonne de nourriture malsaine.          Danser sur une alimentation basée sur une diète, ne vous sera pas du tout.Parce que je sais que beaucoup de danseurs luttent pour trouver des repas sains à manger tout au long de la journée, surtout parce que nous sommes toujours pressés, je vais poster des suggestions de repas sur mon histoire instagram (lundi, mercredi, samedi et dimanche) Pour vous donner quelques idées de ce que vous pouvez manger, rester en bonne santé et obtenir la quantité de nourriture que votre corps a besoin.
N''oubliez pas que les portions varient d'une personne à l'autre. Le montant que je mange, peut ne pas convenir à tout le monde - et c'est normal (!).


Je suppose que la morale de l'histoire est: «manger suffisamment de nourriture, et assurez-vous de manger aussi propre que possible."

Avec tout ce qui est dit, vous êtes autorisé à traiter vous-même de temps en temps, si vous êtes envie de quelque chose de spécifique - ne laissez pas cela se produire trop souvent.


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Sunday, April 2, 2017

What I learned from my injuries


Going to be honest here, and spill the tea.
Thus far, I have had a torn hamstring (left leg), a stress fracture in my (lower) back, a (right) ankle injury and (right) knee injury. It only sounds traumatic, but I must imply that I have learned and grown so much from having these injuries.

One thing I learned is that when it comes to your healing process, everyone is different. I have known a dancer who torn her hamstring right after me but she healed way before I healed.  The healing process is different for everybody. There are many factors that play into this. for example, what you eat, how bad your injury is, your physical activity, and genetics can have an impact on your healing process.

I learned more about the importance of being careful. Most of my injuries were preventable. I have learned the importance of warming up, and also not over working my body.
To take my time, and to take time off to heal.

I also learned to focus more on myself and my own improvements. I try my best to never dance in someone else's shoes, and to be myself at all times. How can injuries teach you to focus on yourself? Well for me, I denied the fact that I was injured because I was afraid to take a break and lose technique. Since my injuries wouldn't heal, I decided to take into account that maybe it was time for a break. During that break I did lose a ton of flexibility, however I did learn to accept it and work for it again.

Injuries are not fun. My two worst injuries would have to be between the torn hamstring because it is taking very long to heal, or my knee injury because that was the most painful injury I've had thus far.

After recovering from injuries, despite the technique or flexibility you've lost, you still feel like a better dancer. I know once I was healed up I felt free (Lol!) it is absolutely necessary to take a break and be kind to your body. If it needs a break, then by all means take one because even I learned a lot from taking a break.
That's all for now, I hope this post benefited you in some way.


I strongly recommend to leave a comment! Especially if you have anymore ideas to add, or if you have feedback. We love feedback!

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Ti auguro una buona giornata e stay blessed. ;)

Sunday, March 26, 2017

Getting into Character

Acting... something that us technique obsessed dancers are not always used to doing automatically. A question that a lot of us ask ourselves is: how do I know what facial expressions to make? Is acting or technique more important?

Interpreting choreography can be even more difficult if your choreographer hasn't given you a theme or perspective for the piece. On one hand you have more freedom, but on the other hand you 're not sure if what you're doing is correct.
If you have a solo, you're lucky because you can interpret the choreography however you want, without having to make sure that your partner or group are on the same page as you. - just make sure that it makes sense, and that it doesn't take away from your technique!
If you're doing a duet, it's really important that you talk to your partner and figure out what the piece means to you and how you interpret it. Try to find a common "theme" or emotion that you want to carry throughout your piece.
Group dances are more complicated - i recommend talking to the choreographer and asking them for some ideas. But make sure to do this with your group, so that you all hear what he or she has to say.

How do i know what facial expressions to make?
This goes back to the idea of interpretation. Think of the emotions that you're asked to portray in your piece and find a memory that makes you feel that way. For example, if you need to pretend to be scared, think of something that scares you while you're dancing and use it to guide your expressions. If it helps, try to link your dance to a specific time of your life where you felt the emotions that you need to feel when you're on stage. Don't be afraid to be vulnerable. Dance is all about showing your true colours and opening up to the audience.

Which is more important: acting or technique?
All dancers know that technique is important, but make sure that you practise artistry from the beginning as well. If you learn the steps first and focus on the emotions later, you're less likely to be convincing with your emotions. My dance teacher once told me that our emotions guide our dancing - and it's completely true(!). Focus on your emotions and artistry from the beginning: it affects your phrasing and will help you create a stronger muscle memory.

How do I stay in character/how can I maintain a certain emotion throughout the whole dance?
My main tip, would be to not think about anything. Just focus on your dance and the feeling that you have in that moment. Don't try to overthink anything - that's when you start to lose your ability to step into your character. Also, focus on your music - the phrasing of the melody can help guide your breathing and movement.



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Sunday, March 19, 2017

dancing with heart problems (2)


Before I begin, I must say that I am writing this post based on my own experience. We may have different experiences and therefore different opinions. And most importantly, my tips may or my not work for you.  ;)

Having heart problems can be a burden especially when you're a dancer. For everybody, it is different, it can be more or less of a burden. Either way, there are many strategies that you can use to make it easier for yourself. Doing specific exercising, that can strengthen your heart (depending on the type of heart conditions you have) can truly benefit you, at least it was beneficial for me.
Many exercises could be very good for you, however some I found that I needed to stay away from.

Running
One exercise that I stayed away from was running. Running, though beneficial to the heart, is not beneficial to your knees. And as a dancer, I most certainly need my knees (haha). For me it was okay to go jogging once in a while, but definitely not 3+ times a week.

Heavy lifting
Anything that has to do with heavy lifting/pushing was something that I had to be careful of. It is not too bad to practice this, but it can put a lot of strain on your heart.

Bonus:
Your emotions can have an affect on your body. Don't stress yourself out.
If you precede to exercise, be sure to pace yourself and stay hydrated.
Most importantly, talk to your doctor about your heart condition and find out what exercise is good/bad for you. This is important, your doctor can let you know what activities are good for your heart.

I strongly recommend you checkout Dancing with heart problems part one, it is very helpful.


Leave a comment if you have anymore tips to add, or if you have feedback. We love feedback!

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Ti auguro una buona giornata e stay blessed. ;)

Sunday, March 12, 2017

Dancer's Workout

Although dancers are already very active, it's important to work on strength just as much as you work on cardio, speed and technique. DISCLAIMER: I'm not a professional fitness instructor or dancer. I'm only 16 years old and I'm an aspiring physiotherapist. Make sure that you are warm before working out and STOP if you feel any abnormal pain. Also, remember to stretch in the end, to keep your muscles long and lean. Also, these are just some of the exercises that you can do - I advise you to do more research and find other blogs, websites and videos to give you more exercises, tips and advice. (Also, this is a long post... I suggest bringing a snack)

Arms:
Arms are unfortunately often neglected by dancers, especially girls. It's important to have strong arms for dancer (boy or girl). For example, the stronger your arms, the faster you'll be able to bring your arms together during a turn sequence, which can help you turn faster/do more turns.

Push ups:
 

Quick tip: make sure that your butt isn't too high up or too low - you want your body to be in a straight line, like a plank. Bend your elbows to 90* and come back up, making sure that you are controlling your every movement. If you are finding this difficult, put your knees down to reduce some of the weight. Start off with 3 sets of 5, if this is to easy, do more e.g. 3 sets of 15. There are variations to push-ups: triceps(1), and shoulder (2) (as my friends and I call them). You should be doing both if you have time.

Arnold Presses:
Quick tip: make sure your back isn’t arching too far forwards or backwards. Bend your knees a little to stabilise yourself. Don’t straighten your arms all the way (i.e. don’t “lock” into them). As with most exercises, it’s best to do these slowly to get the best results out of it. I recommend starting off with small weights and building your way up, without rushing yourself into anything. If you don’t have weights at home and don’t want to buy any, you can always use two water bottles. Start off with 3 sets of 15. If this is too easy, increase the weights – not the number of reps.


Curls:



Quick tip: as with the Arnold presses, make sure that your back isn’t arching – keep it as straight as possible. You can do these to the front of the side, and once again, it makes more sense to use some weights for these. Again, do these slowly and controlled. Start off with 3 sets of 15. If this is too easy, increase the weights – not the number of reps.







Over head extensions:

Quick tip: overhead extensions are great for your triceps. Firstly, make sure that your back is straight. When you’re raising your arm, make sure that your elbow stays in place, and make sure that you don’t lock into it. To make sure that you are using the correct muscles, squeeze your triceps – this way you get more out of the exercise as well. Start off with 3 sets of 15. If this is too easy you can increase the number of reps up to 30. After that I would recommend getting heavier weights.





Triceps Kickback:

Quick tip: I recommend doing these on a bench, but if you don’t have one around you, your bed or two chairs will do just fine. You know how this goes: make sure your back is straight, keep the elbow in place and make sure that you don’t lock into it. Do the exercise slowly and controlled and squeeze your triceps to get more out of the exercise. Start off with 3 sets of 15. If this is too easy, you can increase the number of reps up to 30. After that I would recommend getting heavier weights.




Abs:
Abdominals and the Core are things that most dancers already work on, and if you're not doing so already, I highly suggest doing so. Having stronger abs, equals better dancing - let me explain: your abdominals are in the centre of your body, and they're essentially the centre of your dancing. When you do one-legged exercises or moves, or better yet on relevé, you use your core and your abdominals to stay up and to stay tight. The stronger your core and abdominal muscles, the longer you'll be able to stay on relevé. Also, your hip flexors run from your abdominals into your hips. Strengthening your abs will help you increase control and height of your leg for developés etc.

Plank:
 

Quick tip: planks work on all of your abdominal muscles, which is why they are so popular. Make sure that your shoulders (or hands) are in line with your elbows and that your body is in one line. I can’t really tell you how long to hold a plank for, because it depends on how strong and patient you are. I would recommend starting off with at least 30-45 seconds and building yourself up from there.

Leg lifts:

Quick tip: use your abs to make sure that your lower back is on the floor. If you feel like your lower back is still arched, place your hands underneath your butt to get some extra support. Make sure that you lower your legs only as much as your back allows you to – try not to arch it. Use your abdominal muscles to get your legs back up. I recommend doing 3 sets of 20, and doing a different exercise (superset) between each set of leg lifts. If you are finding this too easy, you can increase the number of reps up to 50 or you can keep your legs lower the whole time: don’t bring them back up to 90* when you lift them up – keep them a little lower to keep your abs engaged the whole time.

Side Plank:

Quick tip: these are very similar to regular planks. They can also be one on your elbows or hands depending on what you prefer. Once again, make sure that you are in a straight line – don’t let your hips dip downwards (that’s another exercise which I might mention in another post) Personally, I find side planks a little more difficult, so I don’t hold them as long as I hold my regular planks, but I would still recommend starting off with at least 30-45 seconds and building yourself up from there.






Russian Twists:

Quick tip: make sure that you are sitting on your sit bones and not behind them (this way you’d be activating your digestive system!). Keep your back straight and make your shoulders back the whole time. You can keep your toes on the floor or lift your feet off the floor if you’re up for a challenge. Make sure that your back is still straight when you’re twisting, don’t hunch over – it’s gonna make the exercise more painful and its less beneficial. Aim to touch your elbow to the floor ever time, however if you see that you can’t do it yet, take your time and make sure that your form is correct. Try to keep your feet and hips in line and make sure to always come back to centre after each twist. I recommend doing this exercise for 1-2 minutes in your own speed. Once this gets easier, you can increase the duration and speed.

Mountain Climbers:

Quick tip: the “starting position” is a plank – any information you need about form you can find there. Bring your knee to your opposite elbow (right knee to left elbow and vice versa) and then straighten your leg back into the starting position and repeat on the other side. This one is meant to be done relatively quickly, but feel free to start of slowly and increase your speed as you go. If you’re doing this exercise for the first time, I would recommend doing 20-30 reps and increasing your speed as you improve. Once you feel more comfortable (shouldn’t take very long), you can start doing the exercise with a timer: I recommend 30-45 seconds. This exercise increases your heart rate a lot, so if you feel that you can go on for longer, feel free to do so, but you bay be a little tired for your next exercise.

Legs:
Legs are more complicated when it comes to strengthening them, as there's more parts to them:
Your quads are responsible for plies (height of jumps), developés (keeping them up) etc.
Your hamstrings are the complementary muscle group to your quads. When your quadrilaterals contract, your hamstrings relax.
Another important muscle in your legs, is your calf muscle. It's the "other half" that's responsible for your jumps. The stronger (and flexible) your calf muscles, the deeper your plies (therefore the higher your jumps), and the higher your relevé, not to mention that you'll be able to hold your relevé for much longer.

Wall sit:

Quick tip: this exercise is very easy: All you do is lean on a wall with your knees bent at 90*. Try to stay there for as long as possible, but I recommend trying at least 45-90 seconds. Make sure that your whole back is touching the wall and that your feet are completely on the floor. Don’t put all of your weight on your toes.







Plié:

Quick tip: if you’re a dancer, I won’t need to do much explaining. But just as a quick reminder, make sure that your tuck your pelvis in and that your back is straight. Don’t lean forwards and make sure to turn out as much as possible without forcing yourself into positions that your body can’t handle. In first position, keep your heels together for as long as possible – try to only release them when you’re in grand plié. In second position, your heels should be touching the floor the whole time – make sure you use your turnout and keep your back at a perpendicular angle from the floor (90*). In third and fifth position, make sure that you’re engaging your turnout the whole time and that your heels stay together the whole time. In fourth position, make sure that your weight is between the two of your legs and that you’re not leaning forwards or backwards. Keep your back straight and make sure to engage your turnout as much as possible. Start off with 5-10 in each position. If you find this too easy, do them slower – the slower you do them the more muscle you’ll need (and therefore build)

Lunges:

Quick tip: be careful that your knee doesn’t go over toes – try to keep them exactly above your ankles (90* angle). Engage both legs and make sure to use all of your upper legs (thighs and hamstrings)











Relevés:
Quick tip: go as high as you possibly can. You can do these on one leg, or on both. If you’re doing them on 2 feet, make sure to keep your ankles together the whole time. If you’re doing one leg at a time, be careful not to sickle your foot and try to push yourself to go to a full relevé every time. I recommend doing 20 on each leg, and then 20 on both at the same time. If this is too easy for you, increase the number to 40, or do it with a resistance band(2).



Developés:

Quick tip: don’t lift with your quads – lift from the adductors and hamstrings to increase the height of your developés. Squeeze your gluteus to maximise your control and to be able to from front to side developés easier. Engage your core to keep your balance. Hold it for as long as possible.








Gluteus:
Gluteus (butt muscles) are also very important - even if they don't seem to be. Your gluteus support your hip flexors and reduce the chances of hip tendonitis. It also helps you hold and control your developés and penchés for longer.

Donkey Kicks:

Quick tip: make sure to engage your gluteus on your way up and down. Try to keep your leg in line with the rest of your body – don’t go into a diagonal line with your leg. Start off with 3 sets of 10 on each leg. If this is too easy, you can add a resistance band to make it more difficult (experiment with different strengths to see which challenge you the most).

Glute Bridges:

Quick tip: make sure that your knees stay above your ankles and that they don’t fall behind. Try not to arch your back – ultimately, you should be forming a straight line with your upper body. Go up quickly and squeeze your gluteus at the top, and come down slowly and with control, still engaging your gluteus. Try 3 sets of 20 and if you find this too easy, add resistance bands to your thighs and try to engage your turnout a little (don’t overdo it though!)

Hip thrusts:

Quick tip: make sure that your knees stay above your ankles and that you don’t turn out. Keep your feet at hip width. Go up quickly and squeeze your gluteus at the top, and come down slowly and with control, still engaging your gluteus. Try 3 sets of 20 and if you find this too easy, add resistance bands to your thighs and try to engage your turnout a little (don’t overdo it though!)


Squats:
 

Quick tip: don’t let your knees go over your toes – ideally they should be above your ankles. Keep your back straight and your gluteus engaged the whole time. Start off with 3 sets of 15. If you find this to easy, try jump squats instead – jump up every time you come back up and land in a squat position again. You could also try them with weights once you feel completely confident – have someone spotting you to make sure that your form is correct the whole time(!)

Glute Walk:
Quick tip: put a resistance band around your calves and make sure to always have it in tension. Walk from left to right (and back). You should feel the sides of your gluteus burning after approximately 50 steps on each side. Remember to keep your knees slightly bends and your back straight. I recommend starting off with 30-40 steps on each side and working your way up from there. You can also use stronger resistance bands to make it more difficult.




Feet:
And finally, feet. A dancer's most important part of their body (apart from their legs of course). As you probably already know, strong and flexible feet are important for dance, because it emphasises the articulation on stage and looks a lot cleaner.

Use a theraband for resistance. Go through demipointe into pointe and back to demipointe to strengthen your metatarsals. You can also go from a flexed food through demipointe and pointe (and back) to strengthen the arch of your foot as well.
Feet are super important for dancers and I’d have to make a whole separate post on how to strengthen and stretch them, so instead of doing that right now, click on the picture above to see a video with some stretches and strengthening exercises to make your feet stronger.



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